both listening hip hop and electronic, raphael henard and maxime denuc started to make music together in 1999. interested at the same time by mainstream tunes and extreme audio researches they try to propose their own interpretation of club music and released a first ep on the french-japanese label sonore in 2011. they have been invited by prestigious festivals and promoters around the world such as sonar (sp), villette sonique (fr), club metro (jp), todaysart (be), dans dakar (sw), les siestes é,lectroniques (fr), universidad de coimbra (pt), nouveau casino (fr), le lieu unique (fr)... succession :struck by the vertigo from pancrace royer while watching the bertand dumont film «l’humanité,» plapla pinky started to include that track in their dj set. after some research in the field of baroque musique they decided to make a mixtape of their favorite tunes of the genre, paying homage to the modernity and emotional power of that era.
gatefold + innersleeve + album sticker!taken under the wing of kyambo hip hop joshua. after releasing revolution rising mixtape in with just blaze and collaborating with crystal castle on a split lp, first album is finally out on owsla (skrillex label) for the us and kitsune for the rest of the world. album written, composed and produced by heartsrevolution. mixed by chris zane(passion pit, friendly fire…) but also rock mafia hit makers (no doubt, green day…)
obsession recordings is the new label from diva/matt didemus, this limited vinyl only four track label sampler features tracks from diva, primitive world (black acre), iron galaxy & sexlife (audio culture) and yor (purple maze).
mario weise aka marlow ist definitiv kein newcomer mehr in dieser szene. er veröffentlichte bereits eine palette cluborientierter tanzmusik seit 1994. während der vergangenen 20 jahre bezauberte uns marlow mit releases auf prestigebehafteten deutschen labels, wie dem leipziger moon harbour recordings, dem berliner label konsequenz oder dem hamburger room with a view, um nur ein paar zu nennen. jetzt ist es an der zeit die karten neu zu mischen und marlow bei sonar kollektiv willkommen zu heißen. nach seinem remix für das kürzlich erschienene *re-set* von alex barck feat. pete josef, präsentiert er nun seinen ersten richtigen release auf dem berliner label. *backroom* ist ein verspieltes, bassgesteuertes sing-along im gewand von leichtfüßigem pop/house, was eher auf der heimischen anlage oder dem ipad erklingen wird und definitiv grenzüberschreitend die funkhäuser okkupiert. die b-seite beinhaltet einen weiteren herausragenden track, der den myteriösen namen *l4l (vertigo)* trägt.
top-compilation mit allen neun 50 weapons remix-maxis, die fast komplett alle erstmals auf cd erscheinen, in chronologischer reihenfolge. das tracklisting enthält einige der besten produzenten elektronischer musik: von moderat ueber robert hood bis marcel dettmann, von chris liebing ueber legowelt bis modeselektor. als weiterer bonus erscheinen vier bislang unveroeffentlichte, exklusive top-remixes auf beiden formaten.
chez damier signed his debut for balance. gilles smith requested his remix treatment for secretsundaze. he is a busy producer and great dj, a true gifted artist known as jorge caiado. his new and much anticipated 4 track ep is finally here, released by his hometown label, groovement. house is where his heart is but jorge caiado s mind travels far beyond any genre, crossing the full music spectrum. his productions always incorporate different elements and new levels of energy. the new spotless mind ep gr020 follows the path revealed by his *beyond the atlantic* debut on balance, legendary chicago label run by chez damier. music that reflects his creative vision from inside out. originality and a sound signature are in development here. this 4 track collection demonstrates how deep, wide and yet close to the heart his music is, transcending both the context and vertigo of our time.
if you thought in past times…what does…pastamusik – well then, here’s a short update. we had to take a creative time-out, enjoy the summer and besides of that play numerous raves and club nights. label manager was still very active during that period. between playing gigs in barcelona, istanbul, london, berlin and brandenburg, she prepared the next ten pastamusik records (or files) which will be released during the next couple of months. here we go, winters here and it’s time again for some hot music.
support from: dubfire, davide squillace, karotte, sian, richie hawtin, ambivalent, sam paganini, dj simi, umek, mladen tomic, slam, luigi madonna,, someone elese, rino cerrone, markantonio, meeph, daniel sanchez, d.diggler, paco osuna, francesco bergomi, elia perrone, oliver klein, francesco grant.
gtcm is back for a very special debut release by parisian artist low jack. at the crossroads between avant-garde techno-funk and a mischievous take on the sound of yesterday, low jacks clockmacker beats are channeled through a radiesthesia pendulum and the effects are akin to vertigo-inducing opiates of the strongest persuasion.
in addition to the three outstanding originals, this release contains gerds very first remix as geeeman. the wait has been long since his acclaimed releases on clone and he has delivered an irresistible remix geared towards dancefloor explosion that must not be missed.
here at spectrum spools, one of the many missions is to make sure great, under-documented, and limited offerings get a chance to see a wider release. no ufos debut cassette, >soft coast< (2010, nice up intl), is surely no exception.
chicago producer-dj aka m50 with distinct ambient techno over deep house grooves. 3 tracks on 12 inch vinyl in a numbered, hand-painted sleeve. limited to 200 copies.
figure mainstays dimi angélis & jeroen search return with their next deep flowing 4 track ep for figure spc. the sub-label of len fakis impressive imprint, spc stands for quality, wide-ranging productions from some of the worlds most creative electronic musicians. launching headfirst into the classic-flavoured drum patterns of >generator<, we remember just what a magic touch this pair has. characteristic, impeccable production, rich, gorgeous analog subtleties and unstoppable machine funk. this is a mind-twisting passage for creative djs during urgent moments!
following his remix of marco resmanns >i will love< feat. mz sunday luv we are now proud to bring you emerson todds first release on upon you. born in new zealand but living in australia his various releases on cocoon, get physical, dirty bird und modular made us love him and now hes bringing the goldrush to us. not only because his tracks are always stable investments in the tech-house area but also because the title of the a1 track eureka goes back to the days of the australian goldrush. but the other side of the coin isnt made of cheap tin either. counter point keeps on digging on b1 looking for the buried acoustic treasure and vertigo shimmers mystically on b1. if you listen indepth to eureka and counter point you will find some great vocals by mey.
german doomcore artist moleculez delivers his second release on the mighty symp.tom imprint! very raw stuff on this new release, including new and pounding collaborations with mental wreckage and the relic. with 5 dark and twisted tracks full of ear piercing sounds and massive layers of distortion moleculez unleashes a very diverse and high quality 12. another fine addition to the symp.tom catalogue.
excellente 4 track remix ep zu ehren von marcel dettmann und seinem bald kommenden album ... 4 tracks von ihm im mix von norman nodge (mdr) und wincent kunth!
second release on important corestyle, the sister label of important hardcore records which concentrates on the more underground styles of hardcore... this time the label proudly presents 2 highly respected artists on one e.p.! on the a side two slammin tracks by north german top producer moleculez who is responsible for loads of kickin releases on top labels like the third movement, meta4, born ultraviolent and loads of more... the good man serves us two different tracks, which both will be highly appreciated by all lovers of hardcore! the flip side offers two tunes by stan grewzell (known for his releases on industrial strength). alluring ghosts is a rather slow (almost doomcore) track with a very recognazible synth sound and a marching bassdrum. mondmarsch is more industrial/dark/tech orientated.all in all, a stylistically conclusive e.p.
incl. huge paul ritch rmx ... kabuto & koji a.k.a tekel and patrice meiner - costa ricas most successful dj/producers and residents of club vertigo (costarica) have been slowly taking their music to new frontiers. their productions and remixes have been signed with some of the worlds most respected labels such as viva music, kindisch, water based music & akbal music to name a few and have completed remixes for stu hirst, astro&glyde, raz o hara, the skull, robbie, dirtydecibles, krisb and many more. hernan catanneo, audiofly & steve lawler have included k&ks productions and remixes in their sets and m.a.n.d.y has recently incorporated k&ks rmx for raz o haras >kisses< on their upcoming fabric 38 cd. as djs they perform a minimal tech house set, incorporating dark melodic and vocal atmospheres, punchy bass lines and an unstoppable groove that will have any dancefloor going and going!
dj plays - nic fanciulli, joel mull, paolo mojo, mark knight, mark brown, steve mac and spencer parker how pretentious is a peak time monster of a techno track, having been cained now by dubfire, nic fanciulli, joel mull, paolo mojo and then crossing over to mark knight, mark brown, steve mac and spencer parker. vertigo has received equal support and is just as big, there really is no letting up with this ep, great melodies in vertigo and relentless carnage from how pretentious
the first release is by matt himself and the maestro presents a monstrous 3-tracker with an a-side so intense, we were tumbling after listen to it for the first time. the b-side contains two manic tunes, which will drive even the hard-boiled dancer into vertigo
the first release is by matt himself and the maestro presents a monstrous 3-tracker with an a-side so intense, we were tumbling after listen to it for the first time. the b-side contains two manic tunes, which will drive even the hard-boiled dancer into vertigo. attention: only 500 copies of the pressing are picture vinyls
supported by brett johnson, woody, dj t, chris duckenfield and laurent garnier !! >the last shooter< uses mind bending funk to tell the story of three people ending an epic day/night in a blaze of jagermeister glory. the most descriptive element of this tracky adventure would be the misguided, off kilter synth twists that give the listener the illusion of drunkenness and vertigo. backed with a spine of latin percussion and tweaked low rez hi hats this a side packs a punch that can be only compared to >the last shooter< of the night.funk flows on when you flip it to side b. fongtom rides along with a thick walking bass line that weaves grinds with some of ferreyras signature percussion. a playful melody serves as the memory game hook that wont fade away even after a post joint meltdown or a night of mtv top 40 abuse
third of a series on the london electronic label mean, expired eggs ep offers as usual a different view of minimal techno nowadays, with cesare vs disorder further establishing his own unusual sound. quirky and groovy but still deep and abstract the ep goes from the highly danceable >motor curry< and >london vertigo< to the inner side with >fernanda< and >heartless<. weird voices and liquid layers underneath characterize the production of this young talent who promises to fill up the early morning dancefloors as well as catching the heartbeat of peak time situations
cd powder is an alchemist of time. her ceremonious dj sets invite listeners and dancers to extend their imaginations to abstracted spaces, while allowing the body to vessel the voyage in free, flowing style. playful, thoughtful, and natural without knowing, powderÕs crates encourage abandonment of arbitrary boundaries and expectations surrounding genre, movement, schedule, and societal convention to revel, spirited and harmonious, in the passage of time. momoko goto relocated from her hometown of nagasaki, japan to tokyo in 2011. this is where the story of powder, as the international dance music community knows her, begins. with the change in location came a change in lifestyle, where a balance of 9-to-5 office life and sacred, nocturnal recording sessions invited moko to reflect on musics unique ability to stop the clock and expand or shrink our sense of time.
cd - slipcase, download code for 3 bonus tracks. now with over 20 years of releases behind him, oliver huntemann finds himself on the cusp of yet a new era in his career. propaganda is the fifth proper artist album from the hamburg-based dj/producer, and like each of its predecessors, it shows a different side to one of the most consistently rewarding names in techno. released on his own senso sounds label, the album exudes the level of assurance that perhaps only comes with being so active in curating and developing a label that has stood out from the masses since its inception in 2014.
bonus instrumentals of said vocal tracks what does a rave sound like the next day? the strobe lights in a dark warehouse, the pounding kick, the blur of ecstatic faces lead to a morning-after emptiness, all fade into memories of the friends you once had. on ode, tin man (proper name johannes auvinen) explores this feeling, offering tracks which possess an exhausted joy, the aural equivalent of the stretch of time beginning when the last record is played and stretching on towards the doleful contemplation of last nightÕs unmade sheets. appropriately, tin mans melancholic dance music is more club-ready than ever.
aufgenommen wurde die scheibe in den ehemaligen gigantic studios zusammen mit produzent chris zane (passion pit, friendly fires, mumford & sons). ben und low selbst beschreiben das album als den ruf nach einer revolution im genre der popmusik
its been a long time coming but loxy and resounds debut album -burning shadows- has finally arrived on dbridges exit imprint and its a ragga infused tech drum n bass belter. the albums 13 tracks feature eerie sci-fi style atmospheric soundscapes with plenty of menacing dub bass and sparse d n b percussion. stand out tracks are -sin city- with its fear inducing acidic bass line and half time feel (think of it as the perfect music for the chase scene from ridley scotts -alien-), and -conqueror x- with its deep dark repetitive bass line.
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